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Dissertations on land art

Louis, Missouri Changing Times, Changing ques: The Spatial Analysis of an Aborinal Rock Art Site with a Geographical Information System Masters of Applied Science (GIS) Dissertation, Department of Geomatics, The University of Melbourne , Melbourne, Australia The Prehistoric Rock Art of Northern Saudi Arabia: A Synthetic Approach to the Study of Rock Art from Wadi Damm, Northwest Tabuk Ph. Dissertation, University of Southhampton , United Kingdom (England)Contexte Geologique et Geomorphologique de la Region du No Bego: Repartition des Gravures Rupestres de l'Age du Bronze dans le Site Ph. Dissertation, Museum National de'Histoire Naturelle , Paris, France Aspects of the Weathering of the Clarens Formation in the Kwazulu / Natal Drakensberg: Implications for the Preservation of Indenous Rock Art Ph. By examining the many facets of De Maria's production and reception and by focusing on work from the 1960s and 1970s, this dissertation deepens the current understanding of his practice during the time of its development and articulation. CU Boulder Department of Art and Art History Recent M. Thesis Topics a full listing of papers/projects can be viewed at the Norlin Library “The Life of Bodies: Considering Inka Mummies as Material Symbols,” by Morgan Butts, 2016 “A Decolonial Analysis of ” by Raquel Flecha Vega, 2015 “Artificial Encounters with Mexico: The Lithographs of Claudio Linati,” by Giustina Rezoni, 2015 “The Painted Wives Club: Identity Deferred in Modernist Spousal Portraiture,” by Caitlin Roberts, 2014 “Robert Smithson in Space: Science Fiction in the Gallery and Beyond” by Alex Crehton, 2014 “The Spectrum of Response: Postdemocratic Literacy at Thomas Hirschhorn’s ‘Gramsci Monument’ by Mack Sjogren, 2014 “Persuasive Threads, Persistent Shadows: The Cannonesses of Le Vergini and their Illuminated Chronicle” by Claire La Rose, 2013 “The Surrealistic Art of Phyllis Hutchinson Montrose: Modern Art, Minor History, and Gender in the American West” by Stefani Shulte, 2013 “Constructing Relational Identities: The Trope of Chichimec in New Spain 1526-1653” Caleb Zúña, 2013 “Sites of Possibility: Political Subjectivity and Processes of Self-Representation in Rio de Janeiro’s Favelas” by Lindsey O’Connor, 2012 Laura Cales, “The Barcelona-Paris Connection: A Response to the Critical Framing of Ramon Casas and Santiago Rusiñol’s Engagement with French Art and Culture,” 2012 Nicole Schwager, “Considering Ideologies of Femininity in the Bourgeois Interiors and Commercial Spaces of the Fin-de-Siècle Prints of Félix Vallotton,” 2011 “Counteractions: Resisting and Embracing Globalization in Contemporary Public Art” by Lori Goldstein, 2011 “Public Duty and Private Pursuits: Reconciling 21 Century Relationships Between Collectors and Art Museums” by Ariel Hagan, 2011 “Between Imperial and Provincial: Questions of Center and Periphery in Constantinian Numismatics” by Sarah Nichols, 2011 “Considering Ideologies of Femininity in the Bourgeois Interiors and Commercial Spaces of the Fin-de-Siècle Prints of Félix Vallotton” by Nicole Schwager, 2011 “Depictions of Cute Young Women in Contemporary Japanese Visual Culture” by Stephanie Silberman, 2011 “On Making and Breaking Spectacles: The American West as Museum Display” by Karen Brooks, 2010 “From Merz to Metabolism: Viewer Response to the Artwork of Kurt Schwitters and Jonathan Meese” by Tricia Robson, 2010 “San Muel del Milagro: Cross-Currents of Devotion in Colonial Tlaxcala” by Aubrey Wilder, 2010 “Archimboldo e l’ambiante Milanese” by Melissa Palombi, 2009 “From the ‘Dark Continent’ to the ‘White Walls’: The 1907-08 Belgian Government Congo Collection at the American Museum of Natural History” by Kara Ann Spoonhour, 2009 “The Spatialization of Jerusalem during the Early Muslim Period” by Leila Armstrong, 2008 “Nature, Culture, Spirituality: Land Art as an Embodiment of Sacred Space”by Lindsey Mikash, 2008 “New Media and Performance.

Dissertations on land art

Dissertations on land art

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  • Additionally, through detailed archival research, this study moves away from the personal and anecdotal treatments De Maria's work has received thus far and toward an understanding of his practice contextualized in its time.


    Dissertations on land art

    Dissertations on land art

    Dissertations on land art

    (Abstract shortened by Pro Quest.) Use the link below to access a full citation record of this graduate work: I consider De Maria's writings, including his would-be manifesto “Meaningless Work” (1960), drawings, wood boxes, steel sculptures, installations, land works, music, film, and photography projects, as well as his connection to the development of minimal art, conceptual art, and land art, and his relationship to his collectors and patrons.

    Dissertations on land art

    On the one hand, as the celestial pantheon expanded, it was conceptualized in ever more bureaucratic ways, mirroring the growth of the terrestrial government itself. SPARKNOTES ROMEO AND JULIET ESSAY Abstract: In this thesis I attempt to account for the contemporary reception of Land Art (specifiy Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Michael Heizer’s Double Negative, James Turrell’s Roden Crater, and Walter De Maria’s Lhting Field) as a spiritually snificant phenomenon.


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